She Was.

air

She’s my mother’s age, crying hazel eyes, brown long curly hair, white shirt clean and ironed crisp, homeless. She has a daughter my own age. Two grandchildren she loves, a girl and a boy. She doesn’t know how it came to this. To sleeping in her car, on a friend’s couch when she can. Sometimes her daughter lets her stay. She looks after her grandchildren while her daughter is at work. She loves her days with them. Cooking big hearty meals, playing games, telling stories. She gets tired more easily than she used to. Her body aches even when she sleeps stretched out on her daughter’s spare bed. When he comes home at 6 pm she goes to her room, the guest room, and stays there. Her daughter tells her not to come back out until after he’s gone to bed, pleads with her to be careful, to be quiet, not to wake him, not to disturb. They’ve never really gotten along and when he sees her, hears her, those nights she hears her daughter cry. He’s a big man, she knows the sound bones make when they break clean. I hold my hand close to hers while she speaks. She doesn’t know how it came to this, to have no place to call her own. I tell her that it’s good that she came today, that I’ll listen for as long as she wants to talk. It’s just that I’ve started to lose hope she says and the red hot knot in my chest throbs.

I sit across from her expecting very little. This is work suggested counselling, gentle but persistent. I don’t want to find the words, I expect the same derision, the same critique. Over emotional, too soft, naive. I tell her this and she nods, me too. She tells me that naive is a compliment, that there’s an innocence to naive that is rare and lovely. I feel so far from innocence, from lovely. We talk about the feeling of caring, the feeling of wanting to make better, to soothe, to solve. We talk about other ways of coping, of numbing yourself to the story. We sit quietly and smile at one another. Human amongst machinery she reminds us both, Don’t let the dark in. I don’t want to leave. I want to sit in this sun lit room for a few minutes more. I want to sit with this woman who calls me soul sister, who reminds me that what I am is good, that who I am is better than I allow myself to be. I think about all the time that passes between. She walks with me to the elevator and we hug like old friends, email addresses exchanged.

I help her fill out forms, I tell her about wait times and wait lists. She nods when I say two years. It doesn’t matter, I can wait she says, You’ve given me something to hold onto, that’s all I need love. She takes my hand in hers and I want to tell her, come home with me, live with me, love me, I miss my mom.

There is so much helplessness in what I do. It’s the easiest thing to get stuck in. For someone like me. I remember every you. I swallow up what she calls the dark. That metaphor I’ve never liked. At the very centre, somewhere beneath my ribs it sits. Light and dark. Together. Whole. I write only to remember lessons learned.

 

we call it life

Allison has strawberry blonde shoulder length hair. It is cut a little uneven. She isn’t trying to be “fashionable”. Allison has big blue eyes that are often bloodshot. She says she has “bad hayfever”. Allison wears her clothes two sizes too small. She says that she is not the prettiest girl in the room, or the cleverest, but she knows that she’s ok. Allison’s husband wears combat pants and dark sunglasses. Seeing the dead naked makes him uncomfortable, but he likes finding answers. Allison has heard these stories many times. She pretends to listen but her bloodshot blue eyes don’t follow the words.

Allison tells Jane about highschool. She tells Jane about drinking and fucking and failing at everything. When she tells these stories she gets a little shy but Jane stills laughs out loud and throaty at all the funny parts. Jane likes listening and laughing. Jane likes the way Allison’s eyes sparkle when Jane laughs. Allison puts her hand over Jane’s. You make me want to tell you things. Jane takes Allison’s hand between both of her. That’s because we are friends, she says, and squeezes.

Jane walks to the park for lunch. As she walks she can feel the wet slick between her legs. The heat, and the throb. Jane is not surprised. Jane likes to listen and laugh. Jane loves tucking stories behind her ear.

Mark sits with Jane at the park. Jane tells him about dancing with her dog late at night in her room. She tells him about kicking her legs in the air and clapping her hands. She tells him about the stars in her sky. He asks her about the devil’s saucepan and she tells him about Orion. Mark takes Jane’s stories and puts them in his backpocket, safe with his wallet, his keys and his phone. He’ll take Jane’s words out later and put them in his mouth. When he lies in the backyard with his arm around his dog, he’ll suck the sweetness right out of them. In the dark, he’ll run his hands over his head and remember the soft of hair.

Here in the park, Mark looks at Jane and tells her that he loves that she tells him things. That he loves every shape her mouth makes when she speaks. He talks to Jane and his thumb throbs remembering Jane’s mouth wrapped tight closed around it. Jane looks at him and tells him the truth. You love me, Mark, she says, You just love me.

Jane spends the weekend at the sea. She doesn’t read on the sand or sleep. Jane wonders if the clouds where he is become the sea where she swims. She thinks this can’t possibly be true but she kneels in the water and lets the waves break over her head just incase. Before she opens her eyes to the sting she takes a mouthful of water and holds it in her mouth for as long as she can. She goes to work unshowered and ocean clean. When she knows he’s watching she licks her summer bare shoulder long and slow. She tastes the salt of all of them.

Three

The taxi driver’s wife killed herself. He blames it on a soul-less place. On a place where everyone is in a hurry and no one is going anywhere. He’s getting out, he says, with a guitar and a photograph. When he says the words he laughs and laughs and laughs.

Lenny’s lover left him. Just like that. Lenny feels the time alone, and the fat around his tight shirt middle. His glasses are always finger print smudged. He takes photos that make his city look more hopeful than it is. Lenny bathes everyone in gold light with his lens. He lies in his bathtub all night long and drinks beer after beer after beer. He doesn’t like the taste.

Sam watches his reflection in the windows of his office building. He watches as the passing cars erase him, the trail of their headlights. He runs his hand through his thinning hair and wonders when he stopped feeling anything for anyone. He wonders which one she was.

 

 

 

the church on flinders

For what purpose to write, to speak, to form words? What to tell, to describe, to convince, to bleed? When there is nothing, there is nothing. To tell of everything, the everything in the space between fingertips that no longer touch? To tell of the air there? The charge that bodies feel, the hum pull we make in our skin as it raises, the breath that holds. Between us. When mouths say no over and over again, first yours – then mine, and the sadness that doesn’t hide across the play of faces when my eyes won’t meet yours. I said – to make someone less lonely, fight their eyes with yours, hold them there. I don’t look and I don’t see. I don’t form words for you anymore. You don’t ask for them. But our bodies fight to be noticed, for the space we leave when we go, for the hum, the hum, the hum. Between us. My hands miss yours. Every day. My mouth aches. I wonder how we each live with the decisions we re-make.

a certain kind of sadness

He has terminal cancer, a few months left, he wants only to see her housed before he dies. To know, when he goes, that he hasn’t failed her completely, that he’s done all that he can.  He wants an image to hold onto, of her, safe, in a home they’ve shared – briefly.

No matter how creatively I bend rules, I can’t do this for him, for her, for them, for me. I know this isn’t my failure. This fault is so much bigger than I am. When I apologise my voice breaks and he hears it. He tells me all the ways that he has learnt to be ok with what is going to happen. I tell him that I’m sorry that I’ve disappointed him and he tells me that disappointment is part of life, part of living. Some conversations feel like confession and absolution.

I don’t know how not to cry.

I think about all the parts that constantly fight to be heard. All the parts that disagree. I think about the one brave thing I’ve ever done. The one decision I ever made. I think that I’ve only lived when I’ve struggled not to die. All the half-measures I’ve chosen. My wish is still to be invisible. To float through unseen. At some point there has to be honesty. Of sorts.

I don’t want words or song or touch or the sea.

I’m packing moving boxes. There is so much to leave behind. Scraps of paper that fit inside a matchbox. To bury under the maple in the backyard. To leave, always to leave.

Perhaps the last truth is uncertainty.

 

 

retrace (my fault)

The bass beat. The loud music. I am still the unmoving thing when everything else is spinning. The one standing far and apart. I’ve made every excuse, thought of every reason, imagined some more, constructed stories, made cases.  And then to go back to go forward, to confront make believe,  fear, sadness. There is no saving in hiding. For all the moments, and all the living, for all the all that I can I will. I am a liar. I am a liar. I am a liar. My heart beats. I am a liar, I am a liar, I am a liar. There are no strings, no imaginary friends, no soft hidden places. There is no explaining, no logic to find, reason to make sense to tell to make good. There is only that I love him. I love him. I love him. The rush of blood, the beat. A time to grow up, to find again.

He covers my eyes with his hand, his fingers in my mouth.

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